Stationary Samba Walks (PreBronze)

LF Stationary Samba Walk
RF Stationary Samba Walk

LF Stationary Samba Walk

Man

Commence in Closed Position with Closed Hold or Double Hand Hold, Facing Wall
This figure uses Bounce Action

Step_# Steps Turn Alignment Moving
1 LF closes to RF   Facing Wall Under Body
2 RF back, part weight, toe turned out   Pointing against LOD Centre
3 Draw LF slightly toward RF   Facing Wall Under Body
Step_# Timing Rhythm Position Footwork
1 1 S Closed BF
2 a a Closed i/e of T
3 2 S Closed Flat

1) The amount the foot moves on step 3 should be no more than half the length of the dancer's foot
2) When this figure follows another Stationary Samba Walk, a Side Samba Walk, or Criss Cross Bota Fogos, the LF will close slightly in front of the RF on step 1 in order for the dancers to move closer together
3) The Man may raise his L hand, releasing hold with the R hand, leading the Lady to dance one full turn to her R in place of dancing a Stationary Samba Walk

Lady

Commence in Promenade Position with Closed Hold or Double Hand Hold, Facing Centre
This figure uses Bounce Action

Step_# Steps Turn Alignment Moving
1 RF closes to LF   Facing Centre Under Body
2 LF back, part weight, toe turned out   Pointing against LOD Centre
3 Draw RF slightly toward LF   Facing Centre Under Body
Step_# Timing Rhythm Position Footwork
1 1 S Closed BF
a a Closed i/e of T
3 2 S Closed Flat

1) The amount the foot moves on step 3 should be no more than half the length of the dancer's foot
2) When this figure follows another Stationary Samba Walk, a Side Samba Walk, or Criss Cross Bota Fogos, the RF will close slightly in front of the LF on step 1 in order for the dancers to move closer together
3) The Lady may dance a Spot Volta, turning to the right under arm, in place of her Stationary Samba Walk, ended in Closed Position

Preceding Figures

Commenced Facing Centre  
PreBronze 1-3 Natural Basic; Reverse Basic; Side Basic to R; Whisk to R; RF Stationary Samba Walk
Bronze RF Solo Spot Volta; RF Continuous Solo Spot Volta; 1-7 Corta Jaca; Foot Change 2
Silver Argentine Crosses; Maypole turning R
   
Commenced Facing Wall  
PreBronze 1-3 Natural Basic; Reverse Basic; Side Basic to R; Whisk to R; Side Samba Walk; RF Stationary Samba Walk; Criss Cross Bota Fogos
Bronze Criss Cross Voltas; RF Solo Spot Volta; RF Continuous Solo Spot Volta; Reverse Turn; 1-7 Corta Jaca; Foot Change 2
Silver Argentine Crosses; Maypole turning R
Gold Reverse Roll

Following Figures

Ended Facing Centre  
PreBronze Natural Basic; 4-6 Reverse Basic; Side Basic to R; Whisk to R; RF Stationary Samba Walk
Bronze RF Solo Spot Volta; RF Continuous Solo Spot Volta; Corta Jaca; Foot Change 1
Silver 4-12 Argentine Crosses; Maypole turning R
   
Ended Facing Wall  
PreBronze Natural Basic; 4-6 Reverse Basic; Side Basic to R; Whisk to R; RF Stationary Samba Walk
Bronze RF Solo Spot Volta; RF Continuous Solo Spot Volta; Corta Jaca; Foot Change 1
Silver 4-12 Argentine Crosses; Maypole turning R
   
Ended Facing New LOD At a corner
PreBronze Natural Basic; 4-6 Reverse Basic
Bronze Closed Rocks; Foot Change 1
Silver Maypole turning R; Open Rocks
   
Ended Backing New LOD At a corner
PreBronze Natural Basic; 4-6 Reverse Basic
Bronze Travelling Bota Fogos Back; 4-6 Reverse Turn
Silver RF Back Rock; RF Plait; Maypole turning R
Gold 4-6 Reverse Roll
   
Ended in Open CPP Commenced Facing Centre, turning 1/8 to R to face DC (Lady L to face DW) over steps 2-3 and releasing L hand (Lady R hand)
PreBronze 4-6 Criss Cross Bota Fogos
Bronze 8-14 Criss Cross Voltas; Foot Change 3
Silver Maypole turning R

RF Stationary Samba Walk

Man

Commence in Closed Position with Closed Hold or Double Hand Hold, Facing Wall
This figure uses Bounce Action

Step_# Steps Turn Alignment Moving
1 RF closes to LF   Facing Centre Under Body
2 LF back, part weight, toe turned out   Pointing against LOD Centre
3 Draw RF slightly toward LF   Facing Centre Under Body
Step_# Timing Rhythm Position Footwork
1 1 S Closed BF
2 a a Closed i/e of T
3 2 S Closed Flat

1) The amount the foot moves on step 3 should be no more than half the length of the dancer's foot
2) When this figure follows another Stationary Samba Walk, a Side Samba Walk, or Criss Cross Bota Fogos, the RF will close slightly in front of the LF on step 1 in order for the dancers to move closer together
3) The Man may raise his L hand and move it rightward, releasing hold with the R hand, leading the Lady to dance one full turn to her R in place of dancing a Stationary Samba Walk

Lady

Commence in Closed Position with Closed Hold or Double Hand Hold, Facing Centre
This figure uses Bounce Action

Step_# Steps Turn Alignment Moving
1 LF closes to RF   Facing Wall Under Body
2 RF back, part weight, toe turned out   Pointing against LOD Centre
3 Draw LF slightly toward RF   Facing Wall Under Body
Step_# Timing Rhythm Position Footwork
1 1 S Closed BF
a a Closed i/e of T
3 2 S Closed Flat

1) The amount the foot moves on step 3 should be no more than half the length of the dancer's foot
2) When this figure follows another Stationary Samba Walk, a Side Samba Walk, or Criss Cross Bota Fogos, the LF will close slightly in front of the RF on step 1 in order for the dancers to move closer together
3) The Lady may dance a Spot Volta, turning to the left under arm, in place of her Stationary Samba Walk, ended in Closed Position

Preceding Figures

Commenced Facing Centre  
PreBronze Natural Basic; 1-3 Reverse Basic; Side Basic to L; Whisk to L; LF Stationary Samba Walk; 1-3 Criss Cross Bota Fogos
Bronze 1-7 Criss Cross Voltas; LF Solo Spot Volta; LF Continuous Solo Spot Volta; 1-3 Reverse Turn; Corta Jaca; Foot Change 2
Silver 1-9 Argentine Crosses; Maypole turning L
Gold Natural Roll
   
Commenced Facing Wall  
PreBronze Natural Basic; 1-3 Reverse Basic; Side Basic to L; Progressive Basic; Whisk to L; LF Stationary Samba Walk
Bronze LF Solo Spot Volta; LF Continuous Solo Spot Volta; Corta Jaca; Foot Change 2
Silver 1-9 Argentine Crosses; Maypole turning L

Following Figures

Ended Facing Centre  
PreBronze 4-6 Natural Basic; Reverse Basic; Side Basic to L; Whisk to L; LF Stationary Samba Walk
Bronze LF Solo Spot Volta; LF Continuous Solo Spot Volta; 8-14 Corta Jaca; Foot Change 1
Silver Argentine Crosses; Maypole turning L
   
Ended Facing Wall As described in the charts above
PreBronze 4-6 Natural Basic; Reverse Basic; Side Basic to L; Whisk to L; LF Stationary Samba Walk
Bronze Bota Fogos to PP & CPP; LF Solo Spot Volta; LF Continuous Solo Spot Volta; 8-14 Corta Jaca; Foot Change 1
Silver Argentine Crosses; Maypole turning L
   
Ended Facing New LOD At a corner
PreBronze 4-6 Natural Basic; Reverse Basic
Bronze Travelling Bota Fogos Forward; Reverse Turn; 4-6 Closed Rocks; Foot Change 1
Silver Maypole turning L; 4-9 Open Rocks
Gold Reverse Roll
   
Ended Backing New LOD At a corner
PreBronze 4-6 Natural Basic; Reverse Basic
Silver LF Back Rock; LF Plait; Maypole turning L
   
Ended in Open PP Turning 1/8 to L to face DW (Lady R to face DC) over steps 2-3 and releasing R hand (Lady L hand)
PreBronze Criss Cross Bota Fogos
Bronze Criss Cross Voltas; LF Solo Spot Volta; LF Continuous Solo Spot Volta; Foot Change 3
Silver Maypole turning L