Samba Locks (Gold)

Commence in Open Counter Promenade Position. No Bounce

Man Foot Position Alignment Turn Foot-
work
Lead Count
1 RF fwd, split weight. Toe turned out Commence facing DC. Down LOD, body facing DW 1/8 to R on LF. Body and RF turn more BF Extend joined arms fwd down LOD, below shoulder level Q
2 LF crossed behind RF (Latin Cross) Down LOD, body facing DW No turn T Weight change, retaining arm position Q
3 RF fwd, small step, Toe turned out " " BF " S
4 LF fwd, split weight, in Open CPP. Toe turned out Down LOD, body facing DC 1/8 to L on RF. Body and LF turn more BF Extend joined arms back against LOD Q
5 RF behind LF in Open CPP (Latin Cross) " No turn T Weight change, retaining arm position Q
6 LF fwd, small step, in Open CPP. Toe turned out " " BF " S
7-12 As 1-6. End in Open CPP As 1-6 As 1-6 As 1-6 As 1-6 QQS
QQS
Lady Foot Position Alignment Turn Footwork Count
1 LF fwd, split weight. Toe turned out Commence facing DW. Down LOD, body facing DC 1/8 to L on RF. Body and LF turn more BF Q
2 RF behind LF (Latin Cross) Down LOD, body facing DC No turn T Q
3 LF fwd, small step. Toe turned out " " BF S
4 RF fwd, split weight, in Open CPP. Toe turned out Down LOD, body facing DW 1/8 to R on LF. Body and RF turn more BF Q
5 LF behind RF in Open CPP (Latin Cross) " No turn T Q
6 RF fwd, small step, in Open CPP. Toe turned out " " BF S
7-12 As 1-6. End in Open CPP As 1-6 As 1-6 As 1-6 QQS
QQS

Note to Man and Lady

The free arm is extended to side, just below shoulder level, to match partner's arm line

Preceding Figures

Gold 1/3 Criss Cross Bota Fogos - 1-7 Criss Cross Voltas - Three Step Turn

Following Figures

Gold Criss Cross Bota Fogos started from step 4 - Criss Cross Voltas started from step 8 - Maypole (Man turning R) - Solo Spot Volta to R (Lady L)

Note to Man and Lady

Turn on 1,4 7, and 12 is made toward the end of the previous beat of music and refers to the back foot. The turn out of the front foot does not constitute an amount of turn